Zach’s Project Idea

My project idea is still rather foggy , but I know I would like to focus on gaming/game design and how it might be applied to the classroom.  Thinking about this practically, there are a few initial hurdles I’d need to figure out: when using videogames in class, should the class 1) make their own game, 2) play an existing commercial title, or 3) play one that I design myself? I am thinking that, for my project at least, I would like to design my own; I would like it to be a game that could be used in multiple subjects and disciplines, and that attempts to set up a good balance between playing and learning.

I’m not sure exactly which software I’d use at this point; that’ll probably depend heavily on just what type of game it is.  At this point I’m thinking I will more than likely use Unity or GameMaker Studio, as I have experience working with and coding for both of these programs. I am envisioning the project as a 16 bit 2D game, and there are a few drawing/animating programs I am already comfortable with for spriting 2D characters and backgrounds: GraphicsGale, PyxelEdit, and SpriterPro.

All in all, I am most concerned about making this project manageable for myself in the short time allotted, and to check my tendency to get overly ambitious. Considering that I’ve found drawing the artwork for videogames to be the most time-consuming aspect of their design, I am thinking I might (at first at least) keep the graphics fairly primitive and just work on setting up the core gameplay/story. Hopefully, throughout the semester, I’ll learn other strategies I might take to make this project feasible as well.

Kyueun’s Project Idea

I am still at an initial stage of designing my project and thinking about what kinds of choices that I can make.

I teach speech communication course at Baruch College which is a mandatory course for all students. In the course, students have an opportunity to deliver four to five public speeches. My role as an instructor is not much about teaching “skills” like a speech consultant, but more about fostering students critical thinking and academic research. I consider public speaking as a form of power. Thus I emphasize the ethical responsibilities as we know what happens when the power is abused. I want my speech communication course can help students empowerment beyond the classroom, and I am thinking about how digital technology can help this process. By delivering several speeches in class, students engage in the process of production and circulation of knowledge rather than remain as a passive learner. Can students engage in the production of knowledge beyond the classroom and can digital platform help it? VOCAT is a good assessment tool to document and analyze students speeches, but can we go one step further? All the Baruch students are taking or will take the speech communication course. How about creating a web/archive of topics that the students chose to present on in their classes to see what their interests are and to potentially take actions with the group of students with similar interest? But my question is: do students need this kind of platform? If there were willing to do so, students have an option to upload it to other social media platforms. Would the educational platform different from it? What are the risks of this idea? Unlike writing in digital platforms, the stake of uploading the recording of one’s vulnerable self is different. I also thought about social annotation for speeches, not for the evaluation/assessment of speech skills, but more about the ideas/contents of the speeches.

On a different note, I have been thinking about what “public speaking” means in the digital age. One of my research fields for the Theatre Program’s Second Exam is about the notions of the public (regarding space and people), and my interest in public or publicness also drives me to think about what “public” means in my speech communication course as well as for the ITP project. Is the traditional definition of public speaking from textbooks or from guidelines of the department (which is speaking in front of public and sharing ideas) still valid in the twenty-first century when almost everything is technologically mediated? Can I create a different public speaking assignment that is on the digital platform, speaking to the air, but still to public? If public speaking means sharing your ideas public, what kinds of public/digital activities students can engage with? After all, is public (regarding information and openness) always good?

I am also thinking about how I can make this project more towards my research. As I am still developing three distinct fields of study for the Second Exam (I can think about dissertation only upon completing it), I hope I can get clearer ideas later. One rough idea is to visually historicize how our perception of the body on theatrical stages has changed with the new technological developments (i.e. printing press, photography, interactive media, etc.) and how that change (if any) complicated our notions of what is corporeal-natural-biological and what is mechanical-artificial. I plan to delve more into the premodern perception of the body (as opposed to the modern notion of it) and thinking how the different epistemology can help understand discussions around the posthuman.

Filipa’s Project Idea

My aim in designing a project is to explore the potential of reading literature in the digital age. While there are many amazing projects centered around literary works and tools, there is still so much work to be done. I came into my studies at the GC thinking that I was going to build a digital edition of a literary work as part of my dissertation. Since then, I’ve gone back and forth on the idea, mostly thinking through questions of scope and feasibility. Do I want to make my entire dissertation a digital project, like Amanda Visconti did with her “participatory edition” of Ulysses? Or should I work with material that is less complex, like poems or short stories (for example, “Comparing Marks: A Versioning Edition of Virginia Woolf’s ‘The Mark on the Wall’”), which can be incorporated as a digital component (or chapter) of my dissertation? More recently, I’ve been toying with the idea of making some kind of text analysis tool, like the ones used for Voyant Tools (here’s a comprehensive list of them).

Overall, my goal is to make a digital tool or edition that changes the way students engage with literature. I want to create something that encourages and facilitates critical responses to reading, whether that be through a social reading component (like annotation) or through a tool that deforms a familiar text into new instatiations. There are several open source plugins and programs that facilitate annotation, such as Annotator and Hypothesis, which can be incorporated into the reading interface of virtually any website. One possibility would be to use this open software to create something more personalized for my purposes, like including alternate readings for a single line or text, maybe an up-voting system (like the one used on Rap Genius), or to create a more expansive space for online debates about textual meaning. Another idea would be to embed the annotation tool with text analysis tools, or have them running side by side (though I’m not sure what that would look like).

As I make my project, I have a broad set of questions that will guide my thinking and implementation. First and foremost, which I’ve already mentioned, is how social reading or text analysis tools enhance reading as an inherently critical act. In other words, how is transforming the text into digital formats, and commenting on it, an act of criticism? Second, how does reading online engage the embodiment of the reader, or the materiality of the text? Here, I’m interested in the visual and haptic experience of reading, where the user swipes, clicks, or otherwise navigates her way through a text, as well as what happens to a text’s physical materiality when we put it online. Finally, I’m interested in questions about online freedom and control. How do issues of copyright, intellectual property, and the public domain stifle and prevent our use and experience of the digital? I realize that these questions are wide-ranging, but one of my goals for building a digital project is to see how they might intersect and engage.

Filipa Calado

Hello! I’m Filipa, a PhD student in the English program here at the Graduate Center. I work in the fields of British Modernism and Digital/Visual Studies. My interests in these fields range widely, but I’m mostly concerned with questions about materiality, embodiment, and form between different media (especially digital versus print media) and how that may have a bearing on queer representation, presence, and erasure. Besides high modernist literature written by women or queer authors (particularly Virginia Woolf, Djuna Barnes, Gertrude Stein, and Oscar Wilde), you can find me reading comic books (especially Batman!) and science fiction novels (the latest being “Galatea 2.2”, which I highly recommend).

When I’m not doing academic work, I enjoy exercising, sleeping, meditating, or trying new kinds of beer. Since a foot injury put me on a looong break from running last semester, I have been really into swimming, and I find it to be an unexpected blend of calming and invigorating activity. Exercise is absolutely crucial for maintaining work/life balance in graduate school, and I will often schedule my days around it, making it an absolute priority. Finally, when I have extra extra time, I also like to see galleries and museums, and just spend some hours looking at pretty pictures.

Z Lloyd Bio

Hello all, I’m Zach. I am a PhD student in Comparative Literature here at the GC, and an adjunct instructor in the English dept. at Brooklyn College.  I grew up in a small town in Nebraska, working, for most of my young life, as a detasseler and machine/tractor operator in corn and bean fields (a rather arduous and unforgiving occupation if there ever was one).  I also did my undergrad studies at a small liberal arts school there, graduating with a major in Philosophy and minors in Computer Science and Studio Art. I came to NYC to do an MA in Philosophy at The New School for Social Research, and matriculated into the CUNY system shortly thereafter.

I will confess that I never imagined I would become a teacher. Both my father and my grandfather are/were English and Irish literature professors, and in my youthful rebellion I had originally vowed to strike out on a different path (probably involving some sort of work in graphic design). Yet here I am, teaching, and teaching in an English department no less.  A funny thing, life.  And when it comes down to it, I find it to be incredibly engaging and rewarding work, and can’t really imagine myself doing anything else.  The apple never falls far from the tree, as the old saying goes.

The ITP program has so far been one of my favorite aspects of academic life here at the GC, and I am very much looking forward to another semester with you all.

Natacha Pawa Bio

Hi, I am  Natacha Pawa a second-year French Ph.D. student at the Graduate Center, B.A in English/ French  Literatures with a minor in linguistics from the University of Buea (Cameroon), a Master in French literature, and a D.E.A in French Literature both from the University of Yaoundé I.

I am currently – starting from Fall 2017-  an Adjunct Lecturer of  French at Hunter College and a Graduate Teaching Fellow at Brooklyn College – from last Fall.  I previously taught French core courses respectively at St John’s University and Queens borough Community College. In my teaching, I am dedicated to bringing to my students of varied academic disciplines a new approach to university core foreign language courses, which are most often viewed by them as a loss of time.

My academic interests are broad and varied, My master thesis was on  The Images of Africa in The Color Purple of Alice Walker and La Rose de sable of Montherlant,  and my D.E.A used  Freudian psychoanalytic approaches to examine the psychoses(agoraphobia, schizophrenia, madness, etc.)  in  The Bluest Eye of  Toni Morrison, Le Baiser au lépreux of Francois Mauriac and Kamouraska of Anne Hébert.  For my forthcoming Ph.D. dissertation, I went through a specialization Ph.D. course in the  Clinical Psychology Department at City College. I  intend to continue working with the psychoanalytical approaches (Freudian and contemporary American schools)  on the issues of memory, trauma, self and identity in selected works of some twentieth and twenty-first-century  French and francophone authors (I prefer to keep them secret for now!)

My  Great Hobby is singing , I am an active member of   Souls in Harmony (don’t google it; it’s one of my parish choir and its fame is still in process!).

 

Lauren’s Bio

Hello! I’m a librarian and the Associate Director of the McEntegart Hall Library at St. Joseph’s College in Brooklyn, NY.  A lot of my day is spent working on administrative responsibilities and the less glamorous side of making a small college library run smoothly, but I enjoy all aspects of the work.  I love working with students and enjoy learning new thing from them and the work they’re doing!

Currently, I’m pursuing a MALS in Digital Humanities which has provided me with many opportunities to rethink how an academic library contributes to the college community.  This class is my 4th in two years.  It’s been difficult finding that perfect balance of work, school, and life, but I’m looking forward to continuing the work I started in DH Praxis last spring (more on that in the project proposal).  I also look forward to working with everyone this semester on their projects and learning about new technological tools to be used in the classroom.

Thanks for reading and see you on Monday afternoon.

Intro to: Kyueun Kim

Hi, I am a feminist, researcher, educator, and a dreamer, aiming to become a creator. I am Level II Ph.D. student in Theatre and Performance at CUNY Graduate Center, and I have been teaching speech communication course at Baruch College as a Graduate Teaching Fellow since Fall 2016. I am interested in how different material conditions of technology have influenced the defining, delimiting, and/or expanding the boundaries of the human body, especially as it relates to issues of embodiment and agency from Renaissance humanism to posthumanism. My other research areas include the notions of “the public” and “the political” in/and performance and urban modernities and contemporary performance in East Asian cities (Seoul, Shanghai, Tokyo). I am a current president of Korean Students Association at the Graduate Center and Theatre Program’s Doctoral Students Council Representative for the 2017-2018 academic year. I recently completed Critical Theory Certificate, and I am happy to be a part of Interactive Technology and Pedagogy Certificate Program.

If I am not reading or writing, I love to walk around the city, say “hi” to dog-friends, watch theatrical performances, visit nice small cafes, analyze social-media responses, and daydream. I have recently turned 30 (in Korean age; still 28 in US age) and have been obsessed with collecting words about the age 30 from novels, poems, and songs. I hope to file my annotated collection of quotations/words about the age 30 especially from the perspective of a woman (if you have one in mind, please send it to me!) to my blog that I am currently developing. I strongly believe that we need more education about our ethical responsibilities in social media platforms.